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AN EXTREMELY RARE AND SUPERBLY ENAMELLED IMPERIALLY INSCRIBED YANGCAI ‘LANDSCAPE’ VASE by Anonymous

Anonymous

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Last recorded sale at Christie's, Hong Kong (28 Nov 2018)
$******

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Past Sales
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ImageSale dateAuction houseLocationSale nameLot No.EstimatePrice SoldConditionTitle
Nov 28, 2018
Christie'sHong KongMultifarious Colours - Three Enamelled Qianlong Masterpieces2802
$****** - ******
AN EXTREMELY RARE AND SUPERBLY ENAMELLED IMPERIALLY INSCRIBED YANGCAI ‘LANDSCAPE’ VASE
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Artwork Description
Category

other

Dimensions

19.1 cm (7.5 in)

Provenance

The collection of H.P. Korf Esq., England

Sold at Christie’s London, 26 February 1973, lot 126

Sold at Sotheby’s Hong Kong, 29 November 1978, lot 303

S. Marchant & Son, London

Kusaka Shogado & Co, Tokyo

A Japanese private collection

Sold at Sotheby’s Hong Kong, 27 October 1992, lot 155

Sold at Sotheby’s Hong Kong, 2 May 2000, lot 643

The Alan Chuang Collection, Hong Kong

Exhibited

S. Marchant & Son, Qing Mark and Period Monochromes and Enamelled Wares, London, 1981, cat. no. 55 and back cover

Literature

Hugh Moss, By Imperial Command, Hong Kong, 1976, pl. 87

Anthony du Boulay, Christie’s Pictorial History of Chinese Ceramics, Oxford, 1984, p. 249, fig. 14

Sotheby’s Hong Kong Twenty Years, Hong Kong, 1993, no. 304

Sotheby’s Thirty Years in Hong Kong, Hong Kong, 2003, no. 347

Description

The vase is exquisitely painted around the globular body with a continuous scene depicting an elaborate architectural complex with pavilions and a gate, all nestled in a mountainous landscape, with a bridge arching over a flowing river which extends to the other side of the vase, detailed with a canopied boat carrying two scholars, below a poetic inscription rendered in black enamels, followed by two iron-red seals reading Qian and Long, all between two rows of relief-moulded chrysanthemum petals around the shoulder and above the foot. The slightly waisted neck is decorated with florettes on a bright yellow ground enclosed within upright lappets, below a band of trefoils enclosing florettes, all against a ruby-red sgraffito ground further decorated with detached lotus sprays. The rims and raised bands gilt decorated. The base is applied with turquoise enamels reserving the reign mark in underglaze blue in the centre.