The suzuribako with inrobuta (flush-fitting lid), chiri-i (narrow ledges between the top and the sides), the interior frame and baseboard fitted with suzuri (ink stone) and suiteki (water-dropper); the bundai of standard form with fudegaeshi (raised sections to left and right); all decorated on a dense gold nashiji ground in gold, silver and coloured hiramaki-e, very high takamaki-e and togidashi maki-e with shell inlay and some kirikane, the fittings on the bundai of gilt metal engraved with floral designs; the desk and box each with an open sensu (folding fan) in high relief, the sticks in silver, and semi-folded fans in togidashi-maki-e and hiramaki-e, the fans decorated respectively with racing horsemen at the Kamo River, Kyoto, chrysanthemums, plum blossom and fence, autumn plants, and a flaming sacred pearl, the bundai and suzuribako each also with three aoi-mon (hollyhock crests); the legs of the bundai with lotus plants, the interior of the lid of the suzuribako with iris plants, the interior of the suzuribako with butterflies, the rims of the suzuri finished in gold lacquer, the suiteki of silver gilt, in the form of birds flying over waves, the other surfaces finished in gold hirame, unsigned; with lacquer storage box for the bundai and wood tomobako storage box for the suzuribako. (8)