We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 2, 2015 | Christie's | Hong Kong | The Classic Age of Chinese Ceramics - The Linyushanren Collection I | 2808 | $****** - ****** | A PURPLE-SPLASHED JUN BOWL |
sculpture
8.6 cm (3.38 in)
Ceramic
Kochukyo, Tokyo
Tokyo National Museum, Chugoku sou gen bijutsuten (Art of Song and Yuan), 22 April to 22 May 1961, Catalogue, no. 155<br>The Japan Ceramic Society and Yomiuri Shinbun, Tou Sou Meitou ten (Exhibition of Masterpieces of Tang and Song Ceramics), Nihonbashi Shirakiya Department Store, Tokyo, 10 to 22 April 1964, no. 121<br>The Aichi Prefectural Ceramic Museum, The Inaugural Exhibition, October 1978<br>The Nezu Museum, Wine Vessels of Four Seasons, Tokyo, 5 February to 14 March 1999, Section 13, no. 7<br>The Tokyo Bijutsu Club, Special Exhibition to Celebrate 100 Year Anniversary of Tokyo Bijutsu Club, 2006, no. 29<br>Christie's, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 22 to 27 November 2012; New York, 15 to 20 March 2013; London, 10 to 14 May 2013, Catalogue, no. 20
Tokyo National Museum, Chugoku sou gen bijutsuten (Arts of Song and Yuan), Tokyo, 1961, no. 155<br>The Japan Ceramic Society and Yomiuri Shinbun, Tou Sou Meitou ten (Exhibition of Masterpieces of Tang and Song Ceramics), Nihonbashi Shirakiya Department Store, Tokyo, 1964, no. 121<br>The Tokyo Bijutsu Club, Grand Heritage - a Tradition of Beauty, 2006, p. 103, no. 29<br>Christie's, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 2012, pp. 70-71, no. 20<br>Rosemary Scott, ‘Chinese Classic Wares from a Japanese Collection: Song Ceramics from the Linyushanren Collection’, Arts of Asia, March-April 2014, pp. 97-108, fig. 19<br>
The bowl is delicately potted with rounded sides, covered inside and out with a lavender-blue glaze with two purplish splashes on the exterior and further splashes on the interior, thinning to mushroom on the rim and falling in an irregular line above the neatly cut foot. The foot and countersunk base are unglazed, with the exception of two glaze drops, exposing the greyish-brown biscuit body.
