Both koro decorated in polychrome enamels and gilt on a clear crackled glaze, the first compressed ovoid with three kidney-shaped panels containing morning glories, chrysanthemums behind a brushwood fence and cherry blossoms behind a curtain of state, panels connected by a band of lozenge patterns, the shoulder with a formal lappet band, pierced cover painted with a chrysanthemum surrounded by foliate scroll, signed in gilt Gyokuzan; the second set on tripod beast-mask feet with elephant-head handles and surmounted with a double-walled cover pierced with honeycomb pattern above a carved key-fret band, the vessel painted with peonies, the shoulder carved with an additional key-fret band, signed Satsuma Gyokuzan; the deep bowl painted in polychrome enamels and gilt on a clear crackle glaze on the exterior with four roundels containing beauties in interiors and landscapes, the surrounding area with peony blossoms raised slightly in relief among tightly scrolling vines and chrysanthemum heads punctuated by a geometric band and a border of lozenges and lappets and stiff leaf designs on the top and bottom, the interior with a delicately painted scene of butterflies against a gilt stipple whirlwind, a geometric swathe along the interior rim