A rounded-rectangular suzuribako (writing box) with kabusebuta (overhanging lid), in the form associated with lacquers in the Rinpa style, including curved sides and distinctive interior layout with suzuri (ink stone) and suiteki (water-dropper) to the left and slot for knife or brush to the right, the exterior and interior decorated in gold hiramaki-e and takamaki-e and pewter inlay, the exterior with a Rinpa-style design of billowing waves and shibafune (rafts laden with brushwood), the interior with waves in gold hiramaki-e swirling around mitsudomoe (three-comma) motifs in pewter inlay, the suzuri with a gold-lacquer rim, the rectangular suiteki of gilt-copper alloy, the base plain black lacquer, inscribed underneath the suzuri with gold hiramaki-e characters Seisei Korin; double wooden tomobako storage box, the outer box inscribed outside Ogata Korin saku Uji no shibafune maki-e on-suzuribako suzurishita zaimei (Writing box with lacquer design of brushwood rafts at Uji by Ogata Korin, signed underneath the ink stone); inscribed inside by the renowned collector Masuda Don'o (Takashi, 1848-1938) Suzuribako ga shibafune wagaie no juho Seisei Korin sei saku [...] hinoe-tora nigatsu Masuda Don'o kore o shirusu (Writing box with design of brushwood rafts by Seisei Korin, recorded by Masuda Don'o in February 1926); the interior of the inner box with further inscriptions and two decorative papers, one of them inscribed with the poem by Priest Jakuren on which the box's design is based (see below). (6)